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Featured dispatch

Kano, Kano

12.0022° N, 8.5920° E

The last indigo pits at Kofar Mata

Five hundred years of dyeing in Kano has come down to a few dozen working pits and the men who still know the recipe.

Dispatch

Words Amina Yusuf · Reported with Musa Garba

11 min read

“Nobody photographs the ash.”

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The dyer, the teacher with the river notebook, the weavers who still run their own trade.

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Field notes

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Calabar

Carnival bands rehearse in September in whatever open ground they can get, usually school compounds after hours. You hear them before you see them. By December the routines are drilled to a standard that reads on television as spontaneity.

Ini Etuk

An empty city road at night under a line of streetlights.
Kano

The road past the dye pits is empty by nine and lit the whole way, which is not what anyone expects of the old city at night. The lights went in two years ago. The traders I asked all mentioned it unprompted, and all mentioned it in terms of walking home rather than of business.

Amina Yusuf

The Niger bridge seen along its length between Onitsha and Asaba.
Onitsha

The queue for the bridge on a Friday afternoon starts about four kilometres out and is entirely predictable, which has produced a whole roadside economy along the approach — food, fuel in bottles, phone charging. The congestion is somebody's living.

Sule Danjuma

Raffia work laid out — woven palm fibre pieces in several forms.
Ikot Ekpene

The market rows are ordered by seniority, not by product. The oldest weavers are nearest the road. An apprentice starting out is at the back, and moves forward over a working life, which means you can read somebody's standing off their position without asking.

Eno Akpan

Collection